participant/observer
Back to something more theoretical for me, that might lead to something tangible as well: in response to Alexis' 'document the cat', I am thinking more about the participant/observer conundrum and of ways that documentation becomes the event (for example: my 'meta-documentation' of events over the course of this project...)
I was reminded of something I read about in second order cybernetics, which is about studying systems in a way that includes and acknowledges the role of the observer. This seems to hit right at the core of the documentation problem: the idea behind cybernetics is that we can produce descriptions of anything (including performance) with it, but that our knowledge of what we describe is mediated by the description itself. The bias lies in that we make models that suit the purposes for which they built.
Elizabeth's post on symbolism and references of large-scale monuments is relevant; maybe all documents are imbued with symbolism in the same way, whether or not it is intentional. As a designer, I need to forget about being 'neutral' and accept that I will always put spin on content, because one can't exist without the other. Maybe I (and anyone else who is interested?) could build on being conscious of the inevitability of re-interpretation, like in the telephone game.
By the way, the Schroedinger's Cat metaphor seems a bit gruesome. It would be good to propose nicer terms for this phenomenon. Would certainly be interesting from a visual/language point of view to create words as part of the project. Something related to performance? Do you have terms for how audience mood and feedback affects your improvisational (or other) work?

